I like to paint cities. I try to incorporate their atmosphere, their essence into them in such a way that the observer perceives them from them, so that his imagination starts working and completes the stories that this painting evokes. My largest painting of the city is 7 meters, I immortalized the 750-year history of the city of Gyor on it, and it decorates the city hall. We have been living in one city for many years, decades, which has perhaps become so commonplace that it has ceased to b1
I like to paint cities. I try to incorporate their atmosphere, their essence into them in such a way that the observer perceives them from them, so that his imagination starts working and completes the stories that this painting evokes.
My largest painting of the city is 7 meters, I immortalized the 750-year history of the city of Gyor on it, and it decorates the city hall.
We have been living in one city for many years, decades, which has perhaps become so commonplace that it has ceased to be engaging and interesting for us. We only survive in it.
It's a pity, because if we opened our eyes better, we would come across many things that are worth paying attention to. As well as many buildings that are the result of human creativity and craftsmanship.
In the city, we meet people, each of whom is unique and has his own unique story.
If the buildings, squares, sidewalks and trees of our cities could tell what they witnessed in decades or centuries...
It would be an endlessly engaging novel.
The city is like an earthly galaxy with millions of suns. We live in it, but we never manage to explore it and get to know the secrets it hides.